Monday, February 19, 2018

The 17C Family Portrayed Outdoors

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.


 1648 Frans Hals (1623-1625) Family & a Servant in a Landscape

The Nativity 1400s


Attributed to Francesco di Giorgio Martini (Italian painter, 1439-1502) Nativity Detail

Sunday, February 18, 2018

The 17C Family Portrayed Outdoors

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.

1640-60s attr Isaac Fuller (British artist, c 1606-1672) Family Group on the Edge of a Landscape

The Nativity 1400s

The Virgin And Child Surrounded By Four Angels by the Master of the Castello Nativity (active 1450-1475).

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Saturday, February 17, 2018

The 17C Family Portrayed Outdoors

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden & grounds became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.
 1648 Frans Hals (1623-1625) Family in Landscape

The Nativity 1400s

Attributed to Giotto (Ambrogio Bondone) (Giotto (Ambrogio Bondone) Unknown Master, Flemish (last quarter of the 15C) Nativity

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Friday, February 16, 2018

The 17C Family Portrayed Outdoors

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden & grounds became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.
 1648 Frans Hals (1623-1625) Family in Landscape

The Nativity 1400s

Attributed to Matthias Grunewald (German Northern Renaissance Painter, ca.1470-1528) Nativity (detail) c. 1515

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Thursday, February 15, 2018

The 17C Family Portrayed Outdoors in Hunt Park

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden & grounds became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.  
 1640s Jan Mytens (Dutch artist, 1614-1670) Family Portrait in Hunt Park Gathered around Garden Statue

The Nativity 1500s

Attributed to Gerard David (Flemish painter, 1460-1523) In this Panel from The Nativity, simple shepherds brought to the birth by angels gather outside the window, while other panels show Saints Jerome & Leonard & Donors. 1515

Wednesday, February 14, 2018

The 17C Family Portrayed Outdoors

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.
1640s Jan Mytens (Dutch artist, 1614-1670) Portrait Of A Dutch Aristocratic Family in Parkland

The Nativity 1400s

Attributed to Fra Filippo Lippi (Italian Renaissance painter, c 1406–1469) also called Lippo Lippi,  Nativity

Tuesday, February 13, 2018

The 17C Family Portrayed Outdoors with the Fruits of their Garden

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.   As time passed, the Renaissance garden became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.
1640-50 Anselmus van Hulle (Dutch artist, c 1601-1674) Family Portrait Outdoors with the Bounty from their Garden

The Nativity 1400s

Unknown Master, Flemish (active c 1400) The Nativity The Madonna is lying on a layer of wheat in this image.

In this blog, I try to begin each day with a painting of the Madonna & Child. It centers me; connects me to the past; & encourages me to post some of the religious paintings which were a large part of the core of early Western art.  In the 4C, as the Christian population was rapidly growing & was now supported by the state, Christian art evolved & became grander to suit new, enlarged public spaces & the changing contemporary tastes of elite private clients.

Monday, February 12, 2018

Artist & Family on Garden Terrace with Fountain, Statue & Roses

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.  As time passed, the Renaissance garden became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.
1635 Peter Paul Rubens (Flemish artist, 1577-1640) Rubens, His Wife Helena Fourment (1614–1673), and Their Son Frans (1633–1678)  On this garden terrace are beautiful roses, a statue & a fountain.

The Nativity 1300s

Attributed to Giotto (Ambrogio Bondone) (Giotto (Ambrogio Bondone) (Italian artist, 1267-1337) Nativity

Sunday, February 11, 2018

The 17C Family Portrayed on Garden Terrace Surrounded by Architecture & Roses at their Feet

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.  As time passed, the Renaissance garden became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.
 1635 Frans Hals (Dutch artist, 1581-1666) Family Portrait

The Nativity 1300s

Attributed to Taddeo Gaddi (Italian artist, 1320-1366) Nativity

Saturday, February 10, 2018

Outdoor, Full-length Family Portrait

The Renaissance, from the 14-17C, marked a turning point in portraiture. Renaissance artists began to paint secular scenes, breaking away from the dominant religious art of medieval painters. Partly out of interest in the natural world & partly out of nostalgia for classical Greece & Rome, portraits became valued as symbolic & allegorical objects & as depictions of earthly success & status. The period in Europe was the cultural bridge between the Middle Ages & modern history. The relationship between man & nature was evolving as Francis Bacon (1561-1626) promoted man as "the minister & interpreter of nature." Portraits began to depict the wealthy & the middle class in natural landscapes & in more formal garden settings, where man was obviously controlling the nature around him.  As time passed, the Renaissance garden became as much as symbol of the owner's wealth & culture as his house, his clothes, or his art collection.
1634 Cornelis de Vos (Flemish painter, c 1584-1651) Portrait of the Artist's Family portrayed in an outdoors dark & nearly hidden. 1630s Cornelis de Vos (Flemish painter, c 1584-1651) Family Portrait Seated on a Garden Terrace.  Cornelis De Vos was most successful as a painter of individual & group portraits. After the departure of Antony van Dyck (1599-1641) for England in 1621, & Peter Paul Rubens' (1577-1640) absences from Antwerp on diplomatic & artistic missions, de Vos became the leading portraitist of the Antwerp haute-bourgeois & patrician society. He only commenced painting full-length portraits after Anthony van Dyck's return to Antwerp in 1627. In these portraits the figures are typically placed in front of architecture & an open landscape or garden. In this portrait, the architecture is missing.

The Nativity 1300s

Attributed to Gentile da Fabriano original name Niccolo Di Giovanni Di Massio (Italian artist, c 1370-1427) The Nativity